The new film entitled “Spotlight” is, without a doubt, the most
predictably intense film of the last several decades. Just like
another great journalism movie, “All the Presidents Men”, the
story was already famous so we knew what was going to happen. But it
still managed to introduce some of the most powerful suspense of all
time. This simple stroke of genius is how you can tell a good movie
from a great movie. Simply put, this is by far the best movie of
2015.
“Spotlight” is director Tom McCarthy's follow up to the
horrendous comedy “The Cobbler” and stars a brilliant ensemble
cast which includes Micheal Keaton, Mark Ruffalo, Rachel McAdams,
Stanley Tucci and Liev Shreiber. This film follows a team of
investigative journalists (called Spotlight) that worked at the
Boston Globe in the early 2000s. The film explores how the Boston
Globe discovered and decoded the sex abuse scandal in the Catholic
Church. I tried to keep my description as vague as possible because
this film is best experienced knowing as little as possible.
Getting right into it, this film is very descriptive. What I mean by
that is that the film does not show anything; it describes it. Every
single interview is told in the moment. There are no flashbacks. But
it counterintuitively works. I always believed that showing something
is more effective than describing it, but this film is the proud
exception. The descriptions allowed the audience to stay in the
moment and not be detracted with backstory. The acting was also
great enough to grant such a risky move by the filmmakers.
I am not joking when I say that every human being in America and
beyond should see this movie. Not only is the film perfect on the
storytelling and technical standpoint, but the story that it
successfully tells is very important and, because of the Church, not
many people are aware of its existence and everybody should be.
There is a moment towards the end where the character played by Mark
Ruffalo is observing the character played by Stanley Tucci comfort
several young girls who were victims of sexual harassment by priests.
The expression that Ruffalo gives perfectly captures the tone of the
first two acts. He knows that there was nothing he could do about
their ordeal, but he could not help but feel some guilt for his
ignorance. That short scene is this movie.
Believe the hype that this movie has generated. If your friend tells
you it sucks, give him the finger and never talk to him again because
he is dead wrong. This movie is a masterpiece—beyond perfect.
When you go see it (I say when because everyone should proudly give
their money to this work of art), know right off the bat that it is a
dark movie, it is a suspenseful movie and it is a disturbing movie.
But that shouldn't matter in this case. Its a film that you should
see just to respect what these brave, AND CATHOLIC, journalists did
in the name of justice. Go see this movie, I beg you.
I wish that I could give this movie a rating beyond five because it
is the rare film that deserves it.
5
out of 5 stars
Your observation about Tucci-Ruffalo scene is so interesting. This is extraordinary piece of writing.
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